Today’s Punch carries an update on the recent cancellation by the Kano State Censorship Board of KAMFEST, the annual music festival hosted at the Alliance Francaise. [It took my browser a long time to open the Punch link. If you can’t get it to open, you can also find the article by Oluwole Josiah at Online Nigeria, unfortunately not credited…]:
The French Embassy has said it would not accept the conditions given by the Kano State Film Censor Board for lifting the ban on the annual music festival known as KANIFEST.
It also said it was unsure of staging the annual festival this year or next year, as the position of the Kano State Government would determine the fate of the festival.
French Ambassador to Nigeria, Jean-Michel Dumond, told our correspondent in an exclusive chat on Monday that discussions with the officials of the censorship board revealed that they were targeting one of the participating singers who was said to have criticised the board for banning music within the state.
He said the board wanted the singer to be withdrawn from the concert, but that condition was not acceptable to the embassy.
“We don’t want to be involved in that kind of situation where it has to do with this person or that person. Ours is to ensure that we promote culture and get the festival to benefit the people.
“If it is reduced to an individual or dealing with one person or the other, we are not interested in that. We have been discussing with the officials of the government, and we do not really have anything to do with the censorship board,” Dumond said.
He noted that the Kano State Governor was not aware of the decision of the censorship board and would be seriously disappointed at the turn of events.
To keep reading the Punch article, follow this link.
When I heard about the closure of the event on Saturday, I was told by filmmakers the rumour that the reason the event had been shut down was because popular Hausa singer Maryam Fantimoti, called the “the box of songs” by Hausa comedian Ari Baba (as cited in FIM Magazine, July 2009, p.41) was slated to perform. (Maryam was also one of the finalists in Partners in Transforming Health in Nigeria in 2009). In a July 2009 interview with Fim Magazine, Fantimoti responded to a question about registering with the Kano State censorship board (my translation in italics):
Ana ta zuwa ana rijista da Hukumar Tace Finafinai ta Jihar Kano. Ke kin je kin yi kuwa?
People are going to be registered with the Kano State Film Censor’s Board. Have you gone?
Ban je ba, kuma ban yi ba, domin ni dai ba kamfani ne da ni ba, koyaushe ina gidan mu; in ka ga na fita an bugo waya ne ana nema na sannan in fita.
I haven’t gone, and I haven’t registered, because I am not with a company. I’m always at home. If you see me go out, it’s because I have been called [to work], that’s when I go out.
Ai ba kamfani ba, wai a matsayin ki na mawakiya tunda mawaka ma duk su na zuwa suna yi.
Not that you are a company, supposedly it’s supposed to be done because you are a musician, since all the other musicians are going to do it.
Ni ban sani ba, domin ban ga takarda a rubuce ba, kuma ni komai nawa cikin tsari na ke yi. Kai, ni tun da na ke jin mawak’a, na ke jin labarin su, ban tab’a jin an ce Shata ko Garba Supa ko D’ank’wairo ko Hassan Wayam da Barbani Choge sun yi ko suna da rijista ba. Shi kenan kuma don mu aka raina sai a ce sai mun yi wata rijista?
Me, I don’t know, because I haven’t seen anything written on it; everything I do is done properly and in order [NOTE: the translation of this last sentence could be off.] Kai, ever since I have listened to singers and heard news about them, I’ve never heard that [a list of older “traditional” Hausa musicians] Shata or Garba Supa or D’ank’wairo or Hassan Wayam or Barbani Choge were registered. So, now we are held in contempt unless we go and do some registration?
[Note, that on the question of individual registrations for musicians, writers, or filmmakers, Director of the Kano State History and Culture Bureau (a Kano state government agency which helped plan the music festival), Ali Bature opined, when I asked him, a few days ago, that there was no such specification in the Kano State censorship law. The entire censorship law can be found in the library of the Kano State History and Culture Bureau for those interested in looking through it. If this interpretation of the law is correct, Maryam’s understanding that it was only companies that were supposed to register with the censorship board would be correct.)
Although Maryam Fantimoti was not able to perform at the music festival that was shut down by the Kano State Censorship Board, you can hear her singing along with DJ Yaks on his song “Rukky,” one of the songs featured (timecode 12:09) during the recent 26 February interview VOA did with DJ Yaks. ” (The link to the sound file is here–the written interview here.) “Rukky” can also be found on DJ Yak’s myspace page. (Please note that DJ Yak’s music is not for sale in Kano.) I will link to any other of Maryam Fantimoti’s music I can find online, as I find it.
She is also the female voice in the songs featured in the Hausa film Zo Mu Zauna