Tag Archives: Nafisa Abdullahi

Photographic Memory 1: props for Blood and Henna

It has been nearly a year since I posted on this blog, in the fevered anguish so many of us felt after the election and inauguration of America’s current glorious leader. After that, I lost the heart to write and I filled my time with teaching and and social media, that succubus.

But I miss writing. I miss my column in Daily Trust. And because I have no urgent deadline, I write very little these days, at least writing for myself. I do try to eke out what academic writing I need to get the job done. But, because I am not exercising my writing muscles, what I write is creaky and awkward.

Tonight, I was looking through my photos for one such academic project. I have thousands of photos, hidden in thousands of files on my laptop. And I have often thought that I should give myself a blog assignment of posting a photo a day and to write about the memory that rushes to mind. A photo a day is probably much too ambitious, so I will merely say that I will try to post more often, and I will try to look at my photos more often, and I will let myself remember and write more often. It is 2am here, but I have determined to do this, so let’s go.

 

 

So for today’s photo I went back to 5 November 2011. Only a few months earlier I had moved from Kano to Jos to try to work full time on my PhD dissertation. But in late October I went back to Kano for the Goethe Institut premiere of Duniya Juyi Juyi, a film produced by the researcher Hannah Hoechner but written, directed, and acted in by almajirai. I see, via my photos, that this was also the first time I saw my friend Sa’adatu Baba Ahmed’s newborn daughter, who is now a big girl of seven.

While in Kano, Kenneth Gyang, one of Nigeria’s most exciting and experimental directors, got in touch with me (I believe via Nafisa) and asked if I could act a bit part as an ugly-American Pfizer researcher in his historical film Blood and Henna, which touches on the tragic 1996 Pfizer meningitis trials in Kano. I said yes. So, on my way back to Kano I detoured through Kaduna where the film was being shot. We shot the hospital scenes in a school made to look like a hospital. Here a props guy is hanging a chart of a skeleton. (More photos in my flickr album, from the first and second day of shooting)

Feeling keenly my lack of training in acting and the exaggerated American accent I had put on after years of being back in Nigeria, I actually dreaded seeing this for years. It received 6 nominations at the 2013 Africa Movie Academy Awards–the first Hausa film to be honoured as such by AMAA. I finally saw it at a screening at KABAFEST, the Kaduna Book and Arts Festival put together by Lola Shoneyin this summer, and the film blew me away. Fortunately, my part is very small, and Sadiq Sani Sadiq and Nafisa Abdullahi carry the film with their powerful understated acted.  It is a quiet, moving film about the ordinary people behind the sensational headlines that make up history. It’s not as experimental as Gyang’s film Confusion Na Wa, but it’s just as striking.

I should write more, but it is much too late, and I have more academic writing and class preparations to do to tomorrow. But let this serve as a start. I will post more.

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Kannywood Awards 2016

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Nazifi Asnanic and Ali Jita on the red carpet at the Kannywood Awards 2016, 12 March 2016.

I had the privilege to attend the 2016 Kannywood Awards held at the NAF International Conference Centre in Abuja  Saturday, 12 March 2016, the third incarnation of the awards organized by Sarari Klassique Merchandise and Halims Entertainment Galleria. (See my post on the 2013 awards.) I was impressed by the space, which was in a well-decorated and sophisticated auditorium. The red carpet TV presence included Rayuwa TV, Noma TV, Unity Entertainment, NTA, VOA, Voice of Nigeria and others.

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on the red carpet.

I dislike taking pictures in conference settings under muddy lighting, and the flash on my camera is broken. Therefore, almost all of my photos are pretty bad. I’ve seen some amazing ones on Facebook taken by photographers like Sani Maikatanga. You can see more photographs at Kannywood Scene. I’ll post a few here, mostly for people who asked for copies.

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Director of the Kano State Censorship Board, Afakallah at the Kannywood Awards, 12 March 2016. (Quite a change from Rabo…)

The awards were MC-ed by Waziri Zuaibu of NTA, and Aisha Mohammad of the EFCC (!). Memorable moments include a tribute to the late Aisha Dan Kano; a stylishly-dressed Nafisa Abdullahi’s touching speech thanking her mother after she won Best Actress for her role in Baiwar Allah, and Sadik Sani Sadik kissing the ground when he received his award for best actor in Bayan Duhu, a 20+ minute speech (I was recording) by the minister of Information, and a short and sweet speech by Professor Abdalla Uba Adamu, Vice Chancellor of the Open University, following a really fantastic little 3-4 minute documentary on the beginnings of Kannywood.

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Tribute to the late Aisha Dan Kano.

I was impressed by the efforts to make this a unified Nigerian affair. Indeed the theme was “Patriotism through Entertainment.” In the musical soundtrack, I heard (pre-recorded) music by Ziriums, Sani Danja, and Jeremiah Gyang (a Christian Hausa singer.) There was an opening prayer by a Muslim and Christian, and, in addition to the various ministers and representatives of governors, there were representatives from Nollywood and even of an Ijaw youths association. Emeka Ike, the president of the Actors Guild of Nigeria gave out awards and spoke out saying that the stakeholders meeting recently held in Lagos (which invited no one from Kannywood) had been “hijacked” by outside interests. In one of the musical performances, Sarkin Waka sang “Mu Zauna lafiya, we are one,” and was joined on stage by many of the stars.

There were also performances by  Ziriums, Abbas Sadiq, and Nura Bond.

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Ziriums performs at the 2016 Kannywood Awards, 12 March 2016 (c) Carmen McCain

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Ziriums performs at the Kannywood Awards, 12 March 2016. (c) Carmen McCain

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Abbas Sadiq performs at the 2016 Kannywood Awards. (c) Carmen McCain

Three special awards were given at the beginning of the ceremony: The special Kannywood Merit Award, went to His royal Highness Malam Awwal Ibrahim, the Emir of Suleja; a Posthumous Life Achievement Award went to the late Tijjani Ibraheem; and another Kannywood Special Merit Award went to Malam Sunusi Shehu Daneji, a scriptwriter and magazine publisher who coined the term “Kannywood” in 1998.

Although certain moments like the (actually quite informative) speech by the Minister of Information dragged on, the audience kept themselves amused with photo taking,selfies, and wandering around chatting.

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photo-taking (c) Carmen McCain

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Abbas Sadiq working the aisles. (c) Carmen McCain

 

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Filmmaker, author and publisher Ado Ahmad Gidan Dabino (c) Carmen McCain

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Producer and scriptwriter Nasir Gwangwazo at the end of the night (c) Carmen McCain

The winners of the awards (alongside the other nominees) are as follows:

Best Film

Hindu, produced by Garba Saleh – WON

Gwaska, produced by Falalu Dorayi

Baiwar Allah, produced by Naziru Dan Hajiya

 

Best Cultural Film

Na Hauwa, produced by Kabir Ali Mpeg – WON

Hindu, produced by Garba Saleh

Malam Zalimu, produced by Abba El Mustapha

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Na Hauwa, produced by Kabir Ali Mpeg wins Best Cultural Film. (c) Carmen McCain

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Kabir Ali Mpeg holds the award for the Best Cultural Film that he produced. (c) Carmen McCain

Best Director

Ali Gumzak, for Baiwar Allah – WON

Adam Zango, for Gwaska

Ali Nuhu for Da’iman

 

Best Script

Yakubu M. Kumo, for Bayan Duhu – WON

Yakubu M. Kumo, for Baiwar Allah

Shafiu Dauda Giwa, for Ban Gantaba

 

Best Actress

Nafisa Abdullahi, for Baiwar Allah -WON

Jamila Nagudu, for Na Hauwa

Rahama Sadau, for Halacci

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The Minister of Information presents the Best Actress Award to a teary Nafisa Abdullahi, 12 March 2016.

Best Actor

Sadik Sani Sadik, for Bayan Duhu -WON

Adam A. Zango, for Gwaska

Ali Nuhu, for Nasibi

 

Best Supporting Actress

Fati Shu’uma, for Basma -WON

Ladidi Fagge, for Da’iman

Fati Washa, for Hindu

 

Best Supporting Actor

Lawan Ahmad, for Da’iman – WON

Sadik Ahmad, for Nasibi

Ali Nuhu, for Rumfar Shehu

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Lawan Ahmad (middle) with his award for best supporting actor in the film Da’iman (c) Carmen McCain

 

Best Comedian

Sule Yahaya Bosho, for Rumfar Shehu – WON

Sule Yahaya Bosho, for Gidan Farko

Rabilu Musa (RIP), for Dangas

 

Best Villain

Haruna Talle Mai Fata, for Farmaki -WON

Adam A. Zango, for Hindu

Tanimu Akawu, for Kasata

 

Best Child Actor

Maryam Baba Hasin, for Basma  – WON

Ahmad Ali Nuhu, for Uba da Da

Shema’u Salisu, for Anisa

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At only five years of age Maryam Baba Hasin wins best Child Actor Award for her role in Basma.

 

Cinematography

Mr. D’mej, for Hindu – WON

Mr. D’mej and Ismail M. Ismail, for Gwaska

Murtala Balala, for Baiwar Allah

 

Best Editor

Ali Artwork, for Gwaska – WON

(no name), for Mulamat

Husseini Ibrahim, for Baiwar Allah

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Ali Artwork poses with his award for best editor and me.

 

Best Visual Effects

Muhammad Ali, for Hindu – WON

Musa Zee Moses and Muhammad Ali, for Anisa

Ali Musa Dan Jallo, for Bori

Best Sound

Suraj A. Ibrahim and Mustapha Auwal, for Gwaska -WON

Fahad Abubakar, for Fansa

Bello Minna and Mukhtar Dauda, for Hindu

Best Music

Umar M. Sharif, for Uba da Da – WON

Umar M. Sharif and Isa Gombe, for Gwaska

Nura M. Inuwa, for Hindu

 

Best Set Design

Tahir I. Tahir, for Hindu – WON

Muhammad Sani G., for Bakin Mulki

Saif A. Nuhu and Ishaq Ahmad Nuhu, for Halacci

 

Best Costume

Jibrin Cha, Sunusi Shamaki, and One Eye, for Hindu -WON

Umar Big Show, et al, for Gwaska

Sunusi Shamaki, for Bakin Mulki

Best Makeup

(guess which makeup artist won….? 😉 )

Alhaji Suji, for Hindu

Alhaji Suji, for Bakin Alkalami

Alhaji Suji, for Nasibi