Tag Archives: Northern Nigeria

Congratulations to Abba El’Mustapha and Fatima M. Shuwa on their wedding celebration

I am perpetually late on time-sensitive issues for this blog, but since this was just last week, let me congratulate Kannywood star Abba El’Mustapha and Fatima M. Shuwa on their marriage this weekend. I took these photos at the “Mother’s Night” on Saturday, 12 June, and  “White Night,” Sunday, 13 June.

Abba El-Mustapha and Fatima Shuwa on Mother's Night of their marriage celebration, 12 June 2010 (c) CM

Abba El'Mustapha and Fatima Shuwa during the "White Night" of their marriage celebration, 13 June 2010 (c) CM


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Happy Islamic New Year 1431!

Happy New Year to all of my Muslim friends in commemorating the 1431st year since the Prophet’s Hijra. Allah ya ba da zaman lafiya.

And in other topics, here is my song obsession for the day. Nazifi Asananic’s “Dawo Dawo” (“Come back, Come back”) as featured in the Hausa film Garinmu da Zafi. (Forgive me for not italicizing. My laptop mouse is broken and I have a hard time highlighting things anymore…)

The latest on the Iyan-Tama case from Nigerian News Service, plus new fees from the National Film and Video Censor’s Board

In a 29 September 2009 article “Iyan Tama: Matters Arising” on the Nigerian News Service, Bolaji Oluwaseun reports that when Iyan-Tama’s counsel went to the Federal High Court of Appeal in Kaduna “to file a motion to stop the retrial”:

The judge assigned to the case ordered Iyan-tama’s counsel to go back to Kano to the magistrate that was assigned the case initially to file the motion to stop the retrial (the same court that sent him to jail for over 3months over false allegations), and that if they refuse to grant the motion then they should then come back to Federal High Court of Appeal in Kaduna to re-file the motion to stop the re-trial.

For those not familiar with the case Oluwaseun gives a summary of the case, pointing out:

After spending over 3 months in jail, Iyan-Tama was granted bail  and a retrial was ordered following a review of the case by the Kano State Attorney-General and Commissioner of Justice. According to the Attorney-General, Barrister Aliyu Umar, the first trial was besmirched by irregularities. Due process was not followed in the trial that led to the conviction, he said. He used very uncomplimentary terms to describe the trial conducted by a senior magistrate, Alhaji Mukhtari Ahmed, such as “improper,” “incomplete,” “a mistake,” summing up by insisting that a “more competent magistrate” should be given the case to try again.

But yet after having committed an injustice that can be successfully argued even by a baby lawyer to be a travesty of justice, the said senior magistrate, Alhaji Mukhtari Ahmed still works in the court houses of Kano State.

And after all Iyan-Tama went through he was not compensated for his illegal imprisonment by the Kano State Government.

Olawuseun continues with more opinions about the case and provides about 6 scanned in copies of documentation that allegedly support Iyan-Tama’s case at the end of the article. To read the entire article, see this link. [UPDATE 13 Oct 09. For more recent news about how Iyan-Tama was invited to the Toronto Film festival, and a clip from his banned film Tsintsiya, see this 23 September article from the Nigerian News Service.]

In more general news concerning the National Film and Video Censor’s Board of Nigeria (not the same body as the Kano State Censorship Board), Al-Amin Ciroma in today’s Leadership (“Censor’s Board increases Fees”) writes that the NFVCB is increasing their fees for previewing a film by 30%:

The review, the board said in a release signed by the corporations Assistant Director, Corporate Affairs, Yunusa Mohammed Tanko, is in line with its efforts to offer premium service to its stakeholders.

With the acquisition and installation of modern cinema style preview theatres at our Lagos office, which is capable of handling 35mm celluloid video, as well as a digital lounge for clients, the present fees charged for preview of films and movies, musical videos and others are no more realistic. The sustainability of this heavy resource base is a prerequisite in the effort to offer global best practices in the Nigerian movie industry.

He said the new equipment would enhance and facilitate online preview of films and movies within the minimum time possible. It will also afford owners of the movies the opportunity to follow and track the progress of the preview in a seamless manner without being present physically.

New costs will be as follows:

The review, The corporation’s Assistant Director, Corporate Affairs, Yunusa Mohammed Tanko, said for local films made in Nigerian languages (of 0-15 minutes) will be N10,000, while a Nigerian film in foreign language such as English language will be charged N20,00, while a film meant for exhibition will be charged N25,000.00. In a general perspective, NFVCB has made 30% increment of the applicable fees.

To read the rest of the article, see Al-Amin Ciroma’s blog.

Image of the letter from the NFVCB to Iyan Tama from Nigerian News Service:

Iyan Tamas letter from the National Film and Video Censors Board--see link for more images

Iyan Tama’s letter from the National Film and Video Censor’s Board–see link for more images

“The ‘S’ Word”–First wife divorces husband for denying her sex

Ok, so my title is a bit tabloidish…. but I was so struck by this powerful personal account published by an anonymous woman in Khadija Abdu Iya’s column in this Sunday’s Leadership, that I wanted to post it here on this blog. The Leadership website is currently down, so I decided to post a photograph of the article. If the print is too small, try clicking on the photo and you should be able to zoom into an image. [UPDATE 26 October 2010. Seeing a renewed interest in all the clicks on this post, I re-uploaded a photo that is more readable. Clicking on the image here will take you to a large photo of the article that is easily readable on screen.)

An educated “career” woman with four children describes her early romance and marriage, and how she felt betrayed when, after her husband married two other wives, he began to deny her sex saying he felt she was like “his sister.” She is now considering divorcing him. The pain in this woman’s voice is piercing and powerful.